Legally Blonde The Musical 2026

IGS’ production of Legally Blonde The Musical has wrapped, and the Seymour Centre will not forget it in a hurry. Bursting with energy, humour and genuine heart, this year’s show was a bold step forward for the IGS musical and a fitting showcase for the remarkable talent within our community.

 

A large group of performers in colourful costumes stand on a brightly lit stage, striking dramatic poses with one arm raised. The set features stairs and arches, with vibrant lighting and a cheering ensemble in the background.

 

The production’s company theme, Think Pink! Think Power! Think Resilience!, set the tone from day one. Elle Woods’ story of defying expectations, backing herself and standing tall gave our students something meaningful to connect with, and that connection showed on stage every night.

Acting Principal Thom Marchbank was not short of words for Director of Music Darren Kuilenburg and the team after opening night:

“Legally Blonde was just utterly wall to wall fabulous – an absolutely fizzing, sparkling romp! I had to pinch myself that this was a school production – the chemistry, the energy, the happiness, the hamming it up, the choreography, the singing, the orchestra, staging, lighting, sound production, the set, the costumes… and the dog! There were kids who outdid themselves in every way on stage, going further than I am sure that they thought possible in artistic achievement… It is a rare and special gift, and one that they will treasure lifelong.”

Leading the company, Ivy Wilkes was a magnetic Elle Woods. First cast in the IGS ensemble for Matilda in 2021, she has grown into a confident and highly skilled performer. Alongside her, Auden Graves made his full onstage debut as Emmett Forrest. Finn Millsteed brought commitment to Warner Huntington III, a role he inhabited with charm and ease, and Artemisia Trenoweth gave Vivienne Kenningston the cool authority the character demands. Miranda Heeney was an audience favourite as the broad-accented, big-hearted Paulette Buonofuonte, and Xavier Reed made an impressive and assured IGS musical debut as the formidable Professor Callahan. Edie Taylor-Kard brought energy and confidence to Brooke Wyndham, Claudine Griffiths was a sharp and dynamic Enid Hoopes and Beverly Wijono made a striking IGS musical debut as Pilar. Isabella Langlands, playing Serena, brought her final IGS musical to a close with seven School productions behind her. Aaliyah Finkelde, a performer with Opera Australia credits to her name, brought genuine artistry to Margot, and Finian Moore delivered the kind of committed, comedic multi-role performance that makes an ensemble shine, taking on Mr Woods, Carlos, Aaron Schultz and Pilot with relish. Elliot Foxlee was a scene-stealing presence across multiple roles, from the swaggering Grandmaster Chad and stern Prison Guard to the relentlessly charming Kyle the UPS guy. In Samara Basili-Klopfer’s last IGS musical she brought sharp comic energy as both Judge Judy III and Kate while driving the choreography as Dance Captain from within the company.

While the spotlight shone on stage, a different kind of magic was happening beneath it. Tucked into the pit alongside a superb group of professional musicians, IGS student musicians Dara Haddadi on guitar, Ben Robertson on drums, Ben Grove on keyboard, Benedict Ramsay on saxophone, Gen Egan on cello and Luka West on trumpet held their own night after night, bringing live energy and real musicianship to every performance.


For Director of Music Darren Kuilenburg, it all came down to the students:

“Our cast, musicians and production crew have formed one of the most cohesive and supportive companies I have had the privilege of working with – creative and responsible young people who share a genuine love for the performing arts and a commitment to bringing something extraordinary to the stage. The many moving parts continue to interlock so beautifully, creating something that is greater than the sum of its parts.”

A huge thank you to the creative team who built the world around our students. Director William Torney joined the IGS stage for the first time this year, working alongside Producer and Director of Music Darren Kuilenburg. In the pit, The Ensemble drove forward with precision and energy under Music Director Nathanael Primrose-Heaney. Assistant Musical Director Kirsten Allison, choreographers Olivia Enright and Moniku Griffith, Stage Manager Logistics Coordinator Madison Holness and Wellbeing Manager Katie Roberts rounded out a dedicated and talented production team. Cailtin Elliot, returning to IGS as the Assistant Stage Manager gaining invaluable experience behind the scenes. Kate Beere’s set design transported audiences between sun-drenched California and the imposing halls of Harvard Law School, Anna Jacques’ costumes were joyful and precise and Aron Murray’s lighting gave every scene its emotional register. Thanks also to Sound Engineer Emma Snellgrove and the team at Loud and Clear Audio for keeping every performance sounding its best.

This show is always a community effort. Costume Assistants Glenda Fisher, Giovanna Trenoweth, Cathy Randall, Belinda O’Connor, Imma Matias Ortego and Katherine Earle, Properties Assistant Catherine Sky and the West, Leblond, Taylor and Imber families for their generous donations, it showed in every detail on stage.

Thank you to Allison Lee for capturing the show so beautifully through her photography.

The curtain has come down – but for many of our students, this is just the beginning.

 

Photography credit: Allison Lee and Ted Pearson.

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